Published 2005 by Harvard University, Department of Music : Distributed by Harvard University Press in Cambridge, Mass .
Written in EnglishRead online
|Statement||edited by Karol Berger & Anthony Newcomb.|
|Series||Harvard publications in music ;, 21, Isham Library papers ;, 6|
|Contributions||Berger, Karol, 1947-, Newcomb, Anthony, 1943-, Brinkmann, Reinhold, 1934-|
|LC Classifications||ML3845 .M972 2005|
|The Physical Object|
|LC Control Number||2004021410|
Download Music and the aesthetics of modernity
This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.
For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical : Hardcover.
For most music Music and the aesthetics of modernity book, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical : Karol Berger.
As self-contained essays many of the contributions, whatever their approach, are engaging, intriguing, and thought-provoking. That they do not add up to a more coherent account of music and modernity is perhaps, in part, because of the nature of the by: 1.
Aesthetics and Modernity brings together Agnes Heller's most recent essays around the topics of aesthetic genres such as painting, music, literature and comedy, aesthetic reception, and embodiment. The essays draw on Heller's deep appreciation of aesthetics in all its forms from the classical to the Renaissance and the contemporary : Hardcover.
Music and Aesthetic Reality: Formalism and the Limits of and millions of other books are available for Amazon Kindle.
Learn more. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device : $ Sir Roger Scruton was a writer and philosopher who has published more than forty books in philosophy, aesthetics and politics.
He was a fellow of the British Academy and a Fellow of the Royal Society of Literature.4/5. About the Author. Roger Scruton is a leading authority on aestheics, and has also published books on others aspects of philosophy, politics, literature, architecture, and modern culture. Currently a freelance writer and composer, he was previously a Professor of Philosophy at Boston by: MODERN EUROPEAN PHILOSOPHY General Editor Robert B.
Pippin, University of Chicago Advisory Board Gary Gutting, University of Notre Dame Rolf-Peter Horstmann, Humboldt University, Berlin Mark Sacks, University of Essex Some recent titles Daniel W. Conway: Nietzsche’s Dangerous Game John P. McCormick: Carl Schmitt’s Critique of Liberalism Frederick A.
Olafson: Heidegger and the Ground of. Buy Music and the Aesthetics of Modernity: Essays (Harvard Publications in Music) by Berger, Karol, Newcomb, Anthony (ISBN: ) from Amazon's Book Store.
Everyday low prices and free delivery on eligible : Karol Berger, Anthony Newcomb. Baroque Reason: The Aesthetics of Modernity. In this fascinating book, Christine Buci-Glucksmann explores the condition of modernity - alienation, melancholy, nostalgia - through the works of a number of writers and philosophers, including the social and aesthetic philosophy of Walter Benjamin.4/5(1).
The book looks at: The experience of listening Rhythm and musical movement What modernism has meant for musical aesthetics The relation of music to other 'sound arts' Improvisation and composition as well as more traditional issues in musical aesthetics such as absolute versus programme music and the question of musical formalism.
The Aesthetics of Music. Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples.2/5(2).
This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity.
For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story, the story of musical modernity.
In turn, to understand those arts, it is essential to understand this underlying aesthetic. "Aesthetics of the Cool" is a collection of essays that Robert Farris Thompson wrote over a career that has spanned more than fifty years.
Some of the articles came out in the popular press and others in academic journals/5(9). Attempts to give a complete account of music: its nature, meaning, and value. The book begins from an examination of sound, distinguishes sound from tone, and identifies tones as intentional (but not material) objects.
Musical understanding is based in a form of imaginative perception, in which metaphors of space, weight, effort, and movement play an organising role. What is music, what is its value, and what does it mean. In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy.
The study begins with the metaphysics of sound. Scruton 7istinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical.
In his first book, Aesthetics and Subjectivity: From Kant to Nietzsche (Manchester, ; rev. edn. ), Andrew Bowie highlighted the need to remedy the 'blindness to aesthetics' characteristic of contemporary philosophy and the history of ideas (p.
He might have added 'deafness to music', since a crucial thrust of his work has been to impel modern philosophers—like their predecessors. Why Music Matters.
Book September such as music take in modern societies. A number of writers, I enumerate various other music-aesthetic properties or qualities that I believe the. The Aesthetics of Music, then, is a book possessing many virtues. If it nevertheless fails to fulfill its main ambition of being comprehensive, that is because of the fundamental inadequacy of the theory of aesthetic intent that Scruton sets forth.
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques.
The history of pop-rock extends from the emergence of rocknroll in the s to a variety of contemporary Author: Motti Regev. Aesthetics of music (/ ɛ s ˈ θ ɛ t ɪ k s, iː s- æ s-/) is a branch of philosophy that deals with the nature of art, beauty and taste in music, and with the creation or appreciation of beauty in music.
In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization. Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques.
The history of pop-rock extends from the emergence of rock'n'roll in the s to a variety of contemporary.
Music aesthetics involves defining the properties of music that make it so special and magical. Music is man-made, but it can have so much beauty it seems sublime. Plato and other ancients wrestled with the idea of musical aesthetics and wondered what made one composition more beautiful than another.
'The Aesthetics of Music' is a very in-depth examination of music and the points where it converges on society and politics. I'm a big fan of Roger and hope that these kinds of writings will help him win back some ground from the ill informed and idiotic books that fill the 'postmodern cultural theory' sections of bookshops and libraries/5(13).
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in.
Aesthetics, the philosophical study of beauty and taste. It is closely related to the philosophy of art, which treats the nature of art and the concepts in terms of which works of art are interpreted and evaluated. This article addresses the nature of modern aesthetics and its. Summary of The Aesthetic Movement.
During the mid th century, the provocative and sensuous Aesthetic movement threatened to dismantle Britain's fussy, overbearing, and conservative Victorian traditions.
More than a fine art movement, Aestheticism penetrated all areas of life - from music and literature to interior design and fashion. A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Mattick, Paul, – Art in its time: theories and practices of modern aesthetics/Paul Mattick p.
Includes bibliographical references and index. Art and society. Aesthetics, Modern. Title: Art in its time. Pop music and rock music are often treated as separate genres but the distinction has always been blurred.
Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related s: 0. In the pre-modern tradition, the aesthetics of music or musical aesthetics explored the mathematical and cosmological dimensions of rhythmic and harmonic organization.
In the eighteenth century, focus shifted to the experience of hearing music, and thus to questions about its beauty and human enjoyment (plaisir and jouissance) of music.
Modernism/modernity focuses on the methodological, archival, and theoretical approaches particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history.
The journal's broad scope fosters dialogue about the history of modernism and its relations to modernization. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity.
By Motti Regev. Polity Press, Cambridge and Malden, MA, pp. ISBN - Volume 35 Issue 2 - Author: Jason Toynbee. Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer.
Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy/5(14).
The second book you’ve chosen is Monroe Beardsley’s Aesthetics.A very different book — much longer, much more complex, in many ways. Monroe Beardsley was often joshed in a kindly way and called ‘the Dean of American Aesthetics’ by the next person we’ll talk about, Nelson Goodman.
Philosophy of Modern Music. Theodor W. Adorno. A&C Black, Jan 1, - Music - pages. All Book Search results » About the author () Theodor W. Adorno is the progenitor of critical theory, a central figure in aesthetics, and the century's foremost philosopher of music.
He was born and educated in Frankfurt, Germany. High modernism (also known as high modernity) is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world.
The high modernist movement was particularly prevalent during the. “The research in Rousseau Among the Moderns is book is clearly written and deploys an interesting and puckish sense of relation to present-day music. It is an important contribution to Rousseau scholarship and brings together a lot of material that has been published in very different venues.” —Tracy B.
Strong, Distinguished Professor of Political Science, University of. In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy.
this bold work concludes with a theory of culture--and a devastating demolition of modern popular music. "A provocative new study."--The Guardian. An Essay in the Aesthetics of Music Authors: Roger Scruton, University of Buckingham. The Black Atlantic Modernity and Double Consciousness • PAUL GILROY VERSO london • New York.
Contents Preface 1 The Black Atlantic as a Counterculture of Modernity 2 Masters, Mistresses, Slaves, and the Antinomies of Modernity 3 "Jewels Brought from Bondage": Black Music and the Politics of Authenticity 4\ "Cheer the Weary Traveller File Size: 9MB.Aesthetics of Total Serialism book.
Read reviews from world’s largest community for readers. Total serialism as a concept, has progressed beyond the twel 3/5(6).THE IDEA OF MODERNITY Modern Dwarfs on the Shoulders of Ancient Giants The Problem of Time: Three Eras of Western History It is We Who Are the Ancients Comparing the Moderns to the Ancients From Modern to Gothic to Romantic to Modern The Two Modernities Baudelaire and the Paradox of Aesthetic Modernity Modernity, the Death of God, and Utopia.